Well, it's been a while since my last post. I am now back in the US, in my own studio, updating my website (btw, I posted some Eastern European arrangements to the Audio page that languished for a while in my Windows Space).
All in all, this visit to Romania was a very mobilizing experience. It contrasted sharply with my previous one in that this one was entiredly focused on classical music. As I mentioned before, the level of the participating musicians was extremely high.
We played Dohnanyi in Udvarhely (Odorhei Secuiesc), which was a good thing, since we needed some mileage with that piece before we could confidently take it on the stage in Targu Mures. I believe the Targu Mures performance on Friday was a 90 - 95 % one, of which I am very glad, since, after a couple of cancelations and delays, the National TV showed up! I am looking forward to seeing that DVD and, possibly, posting it or fragments of it on this website.
An impressive performance was offered by Christian Lindberg, the Swedish trombone virtuoso. I cannot say I was ecstatic either about his own compositions or the other music selections of the program, yet one has to give it to the man that he does with his trombone more than anybody could imagine was possible! The musicians that seconded him in this performance did also a great job.
I don't know if I mentioned before the extraordinary performance of Frank van de Laar, Dutch pianist. I want to underscore that, of ALL the pieces with piano in this festival, I believe only the Forellen Quintet was performend without his participation! Had we been in the times of the Warsaw Pact, he would have received a medall or something along the lines, for "extraordinary achievement in the line of production of cultural goods" :) a real "udarnik", to borrow a Russian word, although he is a pianist ("udarnik" means also "percussionist" in Russian.)
It was very nice to interact, personally and musically, with the members of the Dutch quartet "Rubens". I hope I will be able to have them visit UND during 2011.
The biggest merit is, of course, for Tibor Molnar, first violin of the Tiberius Quartet, and ideological author of this festival. It is just incredible that somebody would find the energy to organize everything, play (and very well!), and party with everybody else.
Conversations are going on about coming back for the next festival, and I very much look forward to it.
After the festival was over, I spent one night in Bucharest, courtesy of Mr. Vasile Tolan, renowned Romanian plastic artist. I wish I had more time to explore and discover what struck me as a fascinating city, but a visit to the (idiotically pharaonic) Ceaucescu palace, the statue of Vlad Ţepeş (the historical real person that inspired the Dracula character in Bram Stoker's homonimous novel) and a bear in the center of the city, had to do for this time.
Thank you for visiting my blog. More soon!
All in all, this visit to Romania was a very mobilizing experience. It contrasted sharply with my previous one in that this one was entiredly focused on classical music. As I mentioned before, the level of the participating musicians was extremely high.
We played Dohnanyi in Udvarhely (Odorhei Secuiesc), which was a good thing, since we needed some mileage with that piece before we could confidently take it on the stage in Targu Mures. I believe the Targu Mures performance on Friday was a 90 - 95 % one, of which I am very glad, since, after a couple of cancelations and delays, the National TV showed up! I am looking forward to seeing that DVD and, possibly, posting it or fragments of it on this website.
An impressive performance was offered by Christian Lindberg, the Swedish trombone virtuoso. I cannot say I was ecstatic either about his own compositions or the other music selections of the program, yet one has to give it to the man that he does with his trombone more than anybody could imagine was possible! The musicians that seconded him in this performance did also a great job.
I don't know if I mentioned before the extraordinary performance of Frank van de Laar, Dutch pianist. I want to underscore that, of ALL the pieces with piano in this festival, I believe only the Forellen Quintet was performend without his participation! Had we been in the times of the Warsaw Pact, he would have received a medall or something along the lines, for "extraordinary achievement in the line of production of cultural goods" :) a real "udarnik", to borrow a Russian word, although he is a pianist ("udarnik" means also "percussionist" in Russian.)
It was very nice to interact, personally and musically, with the members of the Dutch quartet "Rubens". I hope I will be able to have them visit UND during 2011.
The biggest merit is, of course, for Tibor Molnar, first violin of the Tiberius Quartet, and ideological author of this festival. It is just incredible that somebody would find the energy to organize everything, play (and very well!), and party with everybody else.
Conversations are going on about coming back for the next festival, and I very much look forward to it.
After the festival was over, I spent one night in Bucharest, courtesy of Mr. Vasile Tolan, renowned Romanian plastic artist. I wish I had more time to explore and discover what struck me as a fascinating city, but a visit to the (idiotically pharaonic) Ceaucescu palace, the statue of Vlad Ţepeş (the historical real person that inspired the Dracula character in Bram Stoker's homonimous novel) and a bear in the center of the city, had to do for this time.
Thank you for visiting my blog. More soon!
A typical table at 'Csarda lu' Loţi', the official night restaurant for the Tiberius Week.
The official musicians at Loţi's
with former Teatro alla Scala de Milano cello principal, Anton Niculescu
Raluca Sabau (pianist in Tango Rendezvous Romania, June 2010), Frank van de Laar (omnipresent pianist), myself, and Niculescu's right ear.
Two Dutch musicians that refused to believe I am not Jan Balkanende, and wanted to take documentary evidence home that, after his political fall, he is hiding in Romania...
Chopin, Piano Trio op. 8. Alejandro Drago, violin; Anton Niculescu, cello; Frank van de Laar, piano. Targu Mures Philharmony.
The entrance to the beautiful Targu Mures Philharmony Hall.
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